Friday, April 13, 2012

Xanadu: A Review.


XANADU

NSU Theatre Department


By MIKE LEE

April 13th, 2012.

PopMusicMogul Rating: **** ½  out of 5.


As a young gay man, I’ve had quite a few disco-fueled fantasies very similar to the events of the probably the cheesiest and most campy musical ever, and Northern State University’s latest effort, Xanadu. The shining glittering disco balls, the glorious neon “Madonnaesque” costuming, the incredible “rockpopdisco” fused soundtrack with precise choreography. Sort of like a dreamy fantasy finally illuminated onto the stage. It’s all very glorious, the way these things fashion into a stunning gay and spectacular musical taking nod from probably the cheesiest movie ever produced, and let me tell you, the cast and crew of Xanadu certainly do not disappoint.  
The plot is pretty simple. A desperate artist, Sonny Malone, played by Ben Villa, is in desperate need of muse, Kira, played by Larissa Buchholz, and a tragic and hilarious love story ensues.
Villa does a rather fine job as Sonny Malone, and his most glorious moment is during the gospel-pop thumping “Don’t Walk Away” where he desperately begs for his love to not walk out on him. You can tell that plea is filled with real and actual emotion. He feeds his lines with incredible cheesiness, sometimes; spot on, and at other times, a little off.
Buccholz is absolutely astounding as the Grecian muse, Kira.  The way she delivers the faux accent is comically incredible. The deliverance of her lines, near perfect, and her flawless rock-pop voice helps her deliver the songs with unbelievable soul and feeling.  The chemistry between her and Villa is certainly charming. Better than Newton-John, and just as illuminating as Kerry Butler, who was the first to star as Kira in the Broadway run.

The supporting cast, filled with such talents as the wonderfully hilarious Emily Susannah Davis, whose voice is wonderfully beautiful and the comedy she infuses into the play is spectacular. Natalie Allcock and Eli Corbett are just as fantastic, too.
The performance was with some small flaws. The orchestra sometimes overpowered the performance. It was, at times, extremely hard to hear lines. A few of the muses found it hard to reach vocal point, and sometimes, the lines felt a little rushed from a few.  But everything was stitched together well. The audience certainly enjoyed it, and it is almost hard not to. The cast is just that loveable.  

Wednesday, April 4, 2012

Download This: MDNA



So, I've decided to start giving you "Download This", if you're not into buying whole albums, I'll give you my favorite tracks to buy for individual purchase, kind of in the same style as Entertainment Weekly. So, here are my favorite tracks for Madonna's MDNA:

"Girls Gone Wild": a massive heavy club banger with lots of swirling synths and a colassol catchy chorus. Perfection.

"Give Me All Your Luvin'": The peppy pom-pom twirling, ass shakin' ode to vintage eighties era Madonna. The lead single, and the ever famous "Super Bowl song". You're gonna' have to get up and dance, you know.


"Turn Up The Radio": A delightful summer tune with swinging euro-flavored beats that almost cements itself as the next single. Catchy, and pretty damn delightful.


"Superstar": A breezy pop cheesy love song kissed with corny pastiches to classic Hollywood. Just try to get the "Ooo La La/You're My Superstar" chorus out of your head.


"I Don't Give A":  Madonna certainly lays down the law with this fierce electric hip-hop influenced track flavored with hints of pop in the chorus. The song delivers, and Minaj offers the right about of kookiness to make the track one of the most interesting on the album.



"I'm A Sinner":  A sweet, sultry and downright sexy ode to 60's tinged psychedelic pop, with some religious flair thrown in for fun.  Very reminiscent of “Ray of Light” era Madonna.


Love Spent”:  A fantastic electronic space odyssey that is simply magic to the ears. The song is a delightful mix of an electronic stomp and a vigorous ballad with the magic effect of a spaceship firework. The best song on the album, hands down. Did we mention it has a banjo introduction? Killer.


Masterpiece” & “Falling Free”:  The only two ballads on the album, both delightfully orchestrated with wonderfull electronic touches. Beautiful.



More Reviews Coming, Divas!

Over the short Easter break, I plan on writing at least one review a day. I'm thinking about doing reviews of Of Monsters & Men, Lana Del Rey, The Ting Tings, One Direction, Gotye, etc. I know that some of these reviews are very late, I'm just getting a feel for writing and I want to write AS MUCH as I possibly can, so I thought it would be nice. If you want me to review something, let me know. I'll give it a listen, and write out a review. I'm working on much more stuff for the blog, so keep checking back! Lots of new reviews, Songs of the Day, and Album of the Month. I hope to get my hands on My Week With Marilyn, Young Adult, & Extremely Loud & Incredibly Close, just to review some more movies, too.

Tuesday, April 3, 2012

MDNA: A Review


Madonna


MDNA


PopMusicMogul Rating: **** out of 5.


By MIKE LEE

April 3rd, 2012.

“I'm gonna’ be OK/ I don't care what the people say /I'm gonna be alright /Gonna’ live fast and I'm gonna’ live right”.  Just as soon as Madonna utters these words on her track “I Don’t Give A”, it is very clear what’s going to be happening on her latest musical effort, MDNA.  It seems that the “Queen of Everything “has temporarily stopped trying to push pop music forward.  She’s stepping back, having fun, and giving a finger to everyone who has ever stood in her way.

The album suffers from sort of a confused “Jekyll and Hyde” disposition.  There are amusing and pleasurable ass shakin’ pop songs, like the banging religious “Girl Gone Wild” or the euro tinged anthem “Turn Up The Radio”, or the cheerleading chant of “Give Me All Your Luvin” and the breezy “Superstar”, and interwoven with those “fist pumping party songs”,  are the “gritty divorce” songs. The “Love Spent”, “I Don’t Give A”, “Gang Bang” side of the album. They are all pulsing and tender, with her thumping angrily over a few house beats and hints of psychedelic electronic disco. These are the songs that make the album unique, and by far, her most raw and personal tracks in her entire career.

It makes sense, and yet, it doesn’t. Is she trying to get over her divorce, or is she trying to have fun? Or both? I guess, we’re just supposed get up and dance, and then sit back down and enjoy it. The album just really lacks a direction, but that doesn’t mean the tracks do. The album is fun, and in the end, and with Madonna at the helm, that’s really all that matters.